Submitted by eac1g09 on Tue, 11/14/2017 - 16:48
Refers to art and cultural content on the Web. In at least one instance, this refers to online availability and use of museum content. (Mulholland 2015)
Related Publications:
- [WebSci2009] Warren, Lorraine, Fuller, Ted, Lane, Giles, Bryan-Kinns, Nick, Roussos, George, Lesage, Frederik - Ephemeral emergents and anticipation in online connected creativity.
- [WebSci2016] Axel Bruns, Katrin Weller - Twitter as a first draft of the present: and the challenges of preserving it for the future
- [WebSci2017] Bardia Doosti, David J. Crandall, Norman Makoto Su - A Deep Study into the History of Web Design
- [WebSci2014] Leif Isaksen, Rainer Simon, Elton T.E. Barker, Pau de Soto Cañamares - Pelagios and the emerging graph of ancient world data
- [WebSci2015] Paul Mulholland, Annika Wolff, Eoin Kilfeather - Storyscope: Supporting the authoring and reading of museum stories using online data sources
- [WebSci2012] Trevor Collins, Paul Mulholland, Annika Wolff - Web supported emplotment: Using object and event descriptions to facilitate storytelling online and in galleries
- [WebSci2013] Robert Tolksdorf, Markus Luczak-Rosch - Art As A Source For Innovation In Knowledge Processing
- [WebSci2013] Chiel van den Akker, Marieke van Erp, Lora Aroyo, Ardjan van Nuland, Lourens van der Meij, Susan Legene, Guus Schreiber - From Information Delivery to Interpretation Support: Evaluating Cultural Heritage Access on the Web
- [WebSci2011] Chiel van den Akker, Susan Legêne, Marieke van Erp, Lora Aroyo, Roxane Segers, Lourens van der Meij, Jacco van Ossenbruggen, Guus Schreiber, Bob Wielinga, Johan Oomen, Geertje Jacobs - Digital Hermeneutics: Agora and the Online Understanding of Cultural Heritage.